Inka Essenhigh
I stumbled upon Inka Essenhigh a few weeks ago and was immediately drawn to the other-worldly quality of her art. I confess, I like to go places, especially those fantastical off-the-grid joints. Essenhigh’s micro-macrocosms are inviting because they offer a sense that things could be different. As reviewer Lilly Wei notes in a recent issue of Art & Antiques, “Her works are not escapist but about other possibilities, accompanied, at times, with a quiver of disquiet, as if she knows how fragile all this is, how fleeting.” I highly recommend Wei’s excellent overview of Essenhigh.
The vibrant colors, the curves, the parties…
from the Miles McEnery Gallery:
“As found throughout Surrealism and other modern avant-garde movements, Essenhigh’s paintings tend be uniquely episodic, while still sharing themes of flora and fauna. They are touched by a curious self-containment and an interiority of the force of imagination. Her works display dimensional narratives that require close-up viewing, creating a visceral dialogue, one viewer at a time. Each is marked by bright, rich color, and a decision to revel in the “little world” schema of psychology with a fluidity between people and their things.”